🕓 2024/9/15
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Hōryū-ji is a temple that symbolizes the history and culture of Japanese Buddhism and has been revered by many people from the Asuka period to the present day. Located in Nara Prefecture, the temple was founded in 607 by Prince Shōtoku and Empress Suiko. It boasts the world’s oldest wooden structures, and its cultural value is highly recognized both domestically and internationally.
The temple’s Western Precinct (Saiin Garan) and Eastern Precinct (Tōin Garan) house numerous national treasures and important cultural assets. Among the most notable sights are the Kondo (Main Hall), the five-story pagoda, and the Yumedono (Hall of Dreams). This article provides a detailed introduction to the temple's overview, history, and must-see attractions.
Hōryū-ji is a prominent Buddhist temple located in Nara Prefecture, Japan. It was founded in 607 by Prince Shōtoku and Empress Suiko. Recognized as the oldest surviving wooden structure in the world, the temple was designated a UNESCO World Heritage Site in 1993. Hōryū-ji is divided into two main precincts: the Western Precinct (Saiin Garan) and the Eastern Precinct (Tōin Garan), each housing significant buildings.
In the Western Precinct, the Five-Story Pagoda and the Kondo (Main Hall) stand side by side and are designated as national treasures. The Five-Story Pagoda serves as a stupa enshrining relics of the Buddha and contains sculptures that depict key Buddhist teachings. Meanwhile, the Kondo houses important Buddhist statues, including the Shaka Triad, symbolizing the deep Buddhist faith associated with Hōryū-ji’s long history.
In the Eastern Precinct, the Yumedono (Hall of Dreams), a symbol of Prince Shōtoku’s legacy, is another notable structure. Many of the statues and buildings here, including the Yumedono, are designated as national treasures. Additionally, Hōryū-ji is home to over 150 national treasures and more than 3,000 important cultural properties, making it a treasure trove of Buddhist art and history.
The layout and history of Hōryū-ji have evolved through numerous reconstructions and restorations from the Asuka period to the present, yet its cultural value remains undiminished.
Hōryū-ji is a Buddhist temple located in Nara Prefecture, Japan, with a history that stretches back to the Asuka period. It was founded in 607 by Prince Shōtoku and Empress Suiko. Hōryū-ji is renowned as the world’s oldest surviving wooden structure and was designated a UNESCO World Cultural Heritage site in 1993.
1. Foundation and Early History (607 AD)
Hōryū-ji was established in 607 by Prince Shōtoku and Empress Suiko. The temple’s founding is linked to the wish of Prince Shōtoku’s father, Emperor Yōmei, who prayed for recovery from illness and intended to build a temple dedicated to Buddhism. Although Emperor Yōmei passed away before this could be realized, Prince Shōtoku and Empress Suiko fulfilled his wishes by completing the temple in the present-day Ikaruga, Nara Prefecture.
The original temple complex, known as "Wakakusa Garan," was located in a different position from the current Western Precinct.
2. Reconstruction (8th Century)
In 670, a fire caused by lightning completely destroyed Hōryū-ji. This event is recorded in the Nihon Shoki (Chronicles of Japan). The temple was subsequently rebuilt in its current form as the Western Precinct. Reconstruction took place from the late 7th to early 8th century, and the Five-Story Pagoda and Kondo (Main Hall) that remain today were built during this period.
The architectural layout of the rebuilt complex became known as the "Hōryū-ji-style layout," preserving elements of Asuka-period architecture. Evidence of the original layout was confirmed during excavation in 1939, when the remains of the original complex were uncovered.
3. Medieval Restorations (13th Century)
Throughout the medieval period, Hōryū-ji underwent several restorations. In 1250, the Western Round Hall (Saiendō) was rebuilt, and the Shōryō-in was restored in 1284. In the Muromachi period, the Southern Great Gate (Nandaimon) was destroyed by fire in 1435 and rebuilt in 1438.
During the Edo period, large-scale restorations were carried out by Toyotomi Hideyori in 1606 and later by Lady Keishōin, mother of Tokugawa Tsunayoshi, the fifth shogun of the Tokugawa shogunate, in 1694.
4. UNESCO World Cultural Heritage Registration (1993)
In 1993, Hōryū-ji was registered as a UNESCO World Cultural Heritage site under the designation "Buddhist Monuments in the Hōryū-ji Area." This recognition was based on the temple’s status as the oldest surviving wooden architecture and its significance in the history of Buddhism and culture in Japan.
Hōryū-ji contains numerous national treasures and important cultural properties, embodying the deep religious and artistic history of Japan.
5. Modern Restoration and Preservation
From the Showa period onwards, Hōryū-ji has undergone multiple preservation and restoration efforts. In 1949, the Kondo (Main Hall) suffered from a fire, which prompted restoration efforts using advanced preservation techniques, including the reproduction of lost wall paintings. Large-scale restoration and research continued into the Showa and Heisei periods, further enhancing the temple’s cultural significance.
Hōryū-ji offers a glimpse into the evolution of Japanese architecture and Buddhist culture from the Asuka period to the present. Below are some of the key spots worth visiting:
■ Kondō (Main Hall)
The Kondō, located at the center of Hōryū-ji, is part of the world's oldest surviving wooden structures, dating back to the Asuka period. Inside, it houses numerous national treasures and important cultural assets, such as the Shaka Triad, Yakushi Nyorai seated statue, the Four Heavenly Kings, and the Amida Triad. The Shaka Triad, in particular, is a renowned Buddha statue said to represent Prince Shōtoku himself. Despite some of its murals being lost in a fire in 1949, the Kondō retains its majestic presence.
■ Five-Story Pagoda
The iconic Five-Story Pagoda at Hōryū-ji stands as a symbol of the temple. Its unique structure, gradually tapering from the base to the top, represents the Buddhist concept of the universe. The pagoda, an important remnant of Asuka period architecture, houses sacred relics and serves as a focal point of Buddhist faith. While the interior is not open to the public, visitors can admire its architectural beauty from the outside.
■ Yumedono (Hall of Dreams)
Located in the Tōin precinct, the Yumedono is an octagonal building symbolic of Prince Shōtoku's veneration. Inside is the hidden statue of Kuse Kannon, which is unveiled to the public only during special periods in spring and autumn. The Yumedono has undergone several restorations since the Nara period, with major renovations carried out during the Kamakura period. This hall holds great significance for devotees and is a key site at the temple.
■ Daihōzōin (Great Treasure House)
Built in 1998, the Daihōzōin is where many of Hōryū-ji’s cultural treasures and national treasures are stored and displayed. Highlights include the Kudara Kannon statue, Tamamushi Shrine, and Yumechigai Kannon. The Kudara Kannon, with its slender nine-headed form, is a masterpiece of Asuka-period wooden sculpture. The collection also features the precious Sandalwood Nine-Faced Kannon and other relics, offering visitors a deep appreciation for Japan's Buddhist art.
■ Daikōdō (Lecture Hall)
The Daikōdō, the largest building in Hōryū-ji, was rebuilt in 990 during the Heian period. It enshrines the Yakushi Triad and the Four Heavenly Kings, and it serves as an important venue for Buddhist rituals and ceremonies. The Yakushi Triad, reconstructed in the Heian period, is noted for its rounded and gentle expressions. As a central building of Hōryū-ji, the Daikōdō holds a significant role in the religious practices of the temple.
■ Chūmon (Middle Gate)
The Chūmon, located at the front of the Western Precinct, is a grand two-story gate that forms the central axis of the temple’s layout. It was originally built during the Asuka period and rebuilt in the late 7th century. The gate is constructed in the yotsumon-nimon (four-bay, two-door) style, featuring four bays and two doors with a double roof.
Flanking the gate are the Kongo Rikishi (Nio) statues, known as Japan’s oldest clay statues. These imposing guardians protect the temple, embodying the power and dynamism of Buddhist deities.
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In conclusion, Hōryū-ji continues to be a place where visitors can deeply experience Japan’s Buddhist architecture and culture. Its long history of restoration and reconstruction preserves its Asuka-period appearance, further enhancing its cultural significance.
We encourage you to visit Hōryū-ji and witness its profound history and architectural beauty firsthand. It will undoubtedly provide you with a valuable experience of Japan’s great cultural heritage.